Hilgemann Projects

 
 

XAWERY WOLSKI

 
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BIBLIOGRAPHY

SELECTED BIBLIOGRAPHY

Monographs

• Xawery Wolski, brochure. Galería Omar Alonso, Mexico, 2011.

• Xawery Wolski: W Puske Nieba, brochure. Juan Soriano & Marek Keller Foundation / Mexican
Embassy in Poland, and The Ministry of Foreign Affairs Mexico. Warsaw, 2009

• Into and Empty Sky, Xawery Wolski, catalogue. The James H.W. Thompson Foundation The Jim
Thompson Art Center, Bangkok, Thailand. 2009
Texts: Foreword by Arturo Puente; ‘Reiterations: Openess and Material Culture’ by David The;
‘A conversation with Xawery Wolski’ by Gridthiya Gaweewong, 2008

• Xawery Wolski: Time, Here and There, catalogue. Zacheta National Art Gallery, Warsaw 2006
Texts: Foreword by Agnieszka Morawinska; ‘The Inflections of time’ by Stefan Szydlowski; ‘Xawery Wolski: Interstices of Time and Space’ by Edward J. Sullivan; ‘Trayectory of Xawery Wolski’s Drawings’by by Marek Bartelik; ‘The espace between (in time): some notes to approach Xawery Wolski’s work’ by Octavio Zaya,
2006

• Xawery Wolski, published by UBS and Landucci Editors, Mexico City, 2005. Texts:
‘Nature of the work: Accumulation of a great number of chains in an enclosed space’ by Xawery Wolski,
1990
‘’Sculptures by Xawery Wolski’ by Serge Faucheraeau, Paris, 1992
Transcript of conference presented at the Lyon’s space of Contemporary Art (ELAC), Lyon
 

Untitled, Xawery Wolski, 1992
‘Introduction for the cave projects’ by Xawery Wolski, Paris, 1993
‘Space-­‐Impression’ by Xawery Wolski, Paris, 1993
‘Observatorium I’, Artists Museum Lodz, by Xawery Wolski 1992
‘Observatorium II’ (Cave) by Xawery Wolski, Paris, 1993
‘ Projection’ by Xawery Wolski, Paris, 1993
‘The Golden Pavillion’ by Xawery Wolski, Paris, 1993
‘The ancestor’s room’ by Xawery Wolski, 1993
‘Corridor-­‐Tunnel, Earth Passage’ by Xawery Wolski, Paris, 1993
‘The clay square’ (Homage to Malevitch) by Xawery Wolski,Paris, 1993
‘Earth House’ by Xawery Wolski, Paris, 1993
‘Cave!’ by Serge Fauchereau, Paris 1996
‘Xawery Wolski: Memory of Clay’ by Antonio Zaya, Platla d’Aro, 2004
‘Love Letter’ by Nadiejda Maldestam, 1938
‘Fragments and seeds of a body of earth: some thoughts on Xawery Wolski’s work’ by Fernando Castro
Flores, Madrid, 2003
‘Report on the Urban project for Mexico City: The other sites of cities’ by Xawery Wolski, 1997, Mexico

 

• Humus, Arthobler Gallery and The Ministry of Foreign Affairs Mexico. Porto, Portugal, Nov. 2003. Texts: ‘El Humus’ by Jaime Moreno Villareal y Miguel Cervantes.

• Tattoo, brochure. Pokaz Gallery, Warsaw, Poland, 2003. Texts: by Elzbieta Dzikowska

• Polvo/Proch, catalogue. Conaculta, INBA; Museo de Arte Carrillo Gil; Centro de las Artes, Conarte; Museo de Arte de Zapopan; Museo de Arte Contemporaneo de Oaxaca; Amigos del Museo, A.C. Mexico, 2002 -­‐ 2003.
Textos: ‘Fragments and Seeds of the body of the earth: Considerations about the work of Xawery Wolski’ by
Fernando Castro Flores; ‘El pajaro transparente’ by Mario Bellatin; ‘Polvo/Proch’, Sylvia Navarrete.

• Polvo/Proch Xawery Wolski, dossier. Conaculta, INBA., Museo de Arte Carrillo Gil, Galería O.M.R., Mexico, 2002.
Text: Sylvia Navarrete.

• Luz, Cuerpo, Materia, Xawery Wolski, catalogue. Secretaria de Cultura Puebla y Conaculta. México,
2002.
Texts: ‘The transparent matter, Xawery Wolski’ by Pedro Ángel Palou García; ‘. ‘Earth that talks’, by Antonio
Zaya.

• Tattoo, catalogue. Bancomer Foundation and Museo de Arte Carrillo Gil. México 2002. Text: Osvaldo Sánchez.

• El Arte que viene / The Art to come. Edited by Paco Barragan. Subastas Siglo XXI, Madrid, Spain.

• Xawery Wolski, catalogue. Galería Emma Molina. Monterrey, 2000. Text: Antonio Zaya.

• Xawery Wolski. Museo Rufino Tamayo/Americo Arte Editores, Landucci Editors. Milano 1999. Texts: by Elena Poniatowska, Miguel Cervantes and Jaime Moreno Villarreal.

• Forging Space: 20th Century Wrought Iron Sculpture, catalogue. Centro Atlántico de Arte Moderno, Canarias Islands, Spain. IVAM, Valencia, Spain y Museè des Beaux Arts et de la Dentelle, Calais, France 1999.
Text: Serge Fauchereau.
 

• El Humus, catalogue. Der Brucke Editors, Buenos Aires, 1998
Texts: by Jaime Moreno Villareal and Miguel Cervantes

• Selections Spring ’98’, brochure. The Drawing Center, New York, 1998
Text: Xawery Wolski

• Under the coat, catalogue. Galerie Thaddaeus Ropac, Paris, 1997
Text: Xawery Wolski

• Light, Body, Matter, catalogue. Museo de la Nación, Lima, Peru, 1996
Texts: by Paulo Herkenhoff, Caroline Smulders and Jorge Villacorta Chávez.

• Exhibit of Etchings, catalogue. Museo Municipal de Arte, Curitiba, Brasil, 1995
Text: Xawery Wolski

• Projects from Peru, catalogue. Centro Cultural Chávez de la Rosa. Arequipa, Peru, 1995
Text: Jorge Villacorta Chávez

• Forms, catalogue. Kordegarda Gallery, Warsaw, Poland, 1994
Text: Interview with Elzbieta Dzikowska,

• Future lies ahead, catalogue. Seoul Museum, South Korea, Institute des Hautes Etudes en Art
Plastiques, Paris, 1993. Text: Xawery Wolski.

• Sculptures by Xawery Wolski, brochure. Nancy Hoffman Gallery, 1992
Text: Serge Fauchereau.

• Museum Sztuki, Lodz 1931-­‐1992 Collection-­‐ Documentation-­‐ Actualite, catalogue. Musee d’Art
Contemporain de Lyon et ELAC, Lyon, France. Text: Interview with Maria Morzuch,

• Parcours Prives’, catalogue, Parcours Prives-­‐ Magasin Centre National d’Art Contemporain de
Grenoble, Paris, France, 1991
Text: Elvan Zabunyan.

• Xawery Wolski, brochure. Galerie Caroline Serrero, Marselle, France, 1991
Text: Caroline Smulders.

 

ARTICLES (SELECTION)

2010
Yazmin Cruz, “Arte al paso”, El Sol de Mexico, May 19, 2010.
Sonia Avila, “Wolski une su obra con cadenas”, El Excelsior, May 14, 2010.

2009

Carla Bianpoen, “Exploring new configurations in ceramics”, The Jakarta Post, October 1st 2009. Khetsirin Pholdhampalit, “How everuthing is linked”, Daily Xpress, Bangkok, January 29, 2009.

2008
Blanca González Rosas, “Arte, Mercado, Instituciones”, Proceso 1643, Mexico
April 2008
 

2007
Marek Bartelik. “Xawery Wolski, Fragmeneted Trajectory” American Ceramics #152, New York, Nov. 2007.

2006
Joanna Muller. “Signs drawn by time”. Exhibition in Zacheta, Dziennik. Warsaw, Oct 04, 2006. Agnieszka Kowalska.’White clouds on white sky’. Gazeta Wyborcza, Warsaw, Sept. 19, 2006
Monika Kuc. ‘Reality in white’. Rzeczpospolita, Warsaw, Sept. 19, 2006
Aimee Fitzpatrick Martin. ‘Sculptor Xawery Wolski seeks truth finds miracles’. Vox Magazine, Long Island, Summer 2006.
Joan Baum. ‘In the gallery’. The Independent, Traveler watch, New York, 2006

2005
Stefan Szydlowski. ‘About Sculptures, Travels, Could be archeology?’. Exit Magazine. New art in Poland. #3,
2005
Antonio Zaya. ‘Xawery Wolski. Earth that talks’. Revista ‘Cuarta Pared’, Feb-­‐April, 2005/2004
Roberta Smith. ‘Art in Review: Ground-­‐Field-­‐Surface’. The New York Times, Aug. 13th, 2004
The New Yorker. ‘Goings on About Town:Galleries-­‐Chelsea’, Aug. 2, 2004
Fernando Partida. ‘Contemporary Oasis in a traditional religious villa’, Casas y Gente, Sept.

2004
Holly Myers. ‘Nature of Universal Truths is dusted off and explored’. Xawery Wolski at the Ben Maltz
Gallery. Los Angeles Times. Los Angeles, 28 Jan.. 2004
Dawn Page. ‘It comes from dust’. ‘La opinion’, Los Angeles, 16 Jan. 2004.

2003
Mitchell Owens. ‘Sinking roots in a rented space’. The New York Times. New York, 5 June
2003
Victor Ortiz. ‘Three exhibitiosn and good news in MAZ’. Cultura. Mexico Feb. 18th, 2003
Jorge Luis Plata. ‘Between terracotta and paper’. Oaxaca, April 30th, 2003
Xochitl Martinez. ‘Contemporary Art’. Visiones, Guadalajara, April 2003
Victor Manuel Pazarin. ‘Wolski’s dust in MAZ’. Ayuntamiento de Zapopan, Guadalajara, March 4th, 2003
Aaron Sanchez. ‘Light, Body, Earth’. El Sol de Puebla, Mexico, Jan. 25, 2003
Amelia Dominguez. ‘Xawery Wolski transforms terracotta in contemporary art in ‘Light, Body, Matter’. La
Jornada, Mexico, January 24th, 2003.

2002
Julieta Riveroll. ‘Evoquing with dust the return to origins’. Reforma. Mexico, July 1st. 2002
Omar Sanchez. ‘The pole Xawery Wolski exhibits ‘Dust’. El Sol. Mexico June 26th, 2002
Abraham Vazquez. ‘Wolski converts dust... into art’. El Porvenir. Mexico Nov. 28th, 2002
Adriana Moncada. ‘Memory and fragility mix at dust’. Uno mas uno. Mexico, June 27th 2002
Andres Oriard. ‘Dust’. El Heraldo. Mexico, June 30th 2002
Martin Casillas. ‘Alternative Art’. El Financiero. Mexico, June 26th, 2002
Marcela Corral. ‘Remiends us that dust we are.’ El Norte. Mexico Nov. 28, 2002
Miguel Muniz. ‘Sculpture speaks by itself in Dust’. Milenio. Mexico, Nov, 28th, 2002
Rosario Pinelo. ‘Earthy duality ’. Tiempo libre. Mexico July 26th, 2002
Arte y Parte. ‘Xawery Wolski’, #41, Madrid, Spain, Nov. 2002, pag. 126
Maria Garcia Yelo. ‘Xawery Wolski’. Blanco y Negro Cultural, Madrid, Spain, Nov. 30th, 2002, pag. 30
Elena Vozmediano. ‘Silent Wolski’. El Cultural, Madrid, Spain, Nov. 21st, 2002, pag. 28
Ramon Almela. ‘ Xawery Wolski, bodily dialogue with earth’, www.criticarte.com, Madrid, Spain.

2001
Antonio Zaya. Xawery Wolski. A project for Atlantica. Atlantica No. 28, Spain, Winter 2001, pag. 68-­‐75
Eugenio Espinoza. Xawery Wolski. Diana Lowenstein Gallery. Art Nexus No. 41, Colombia, 2001, pag. 117-­‐
118
Elisabeth Malkin. Xawery Wolski. Artnews, December 2001, pag. 168

2000
 

Lourdes Botello.’ Xawery Wolski and Milagros de la Torre, moving testimony of man’s passage’. Paula. Mexico, Nov. 2000, pags. 134-­‐140
Bertha Wario. ‘Evoques the infinity of abstraction’. Periodico El Norte. Monterrey, April, 2000
Ernesto Sosa. ‘Inappropriately Drawing’. Art Nexus, No. 36. Colombia. Mayo-­‐Junio, 2000. pag. 122-­‐124
Francisca Rivero Lake. ‘Special Forms and materials’. Xawery Wolski. Revista Celular No. 114. Mexico, D. F. March, 2000. pag. 84-­‐87
Jose A. Montero. ‘The polish artist opens in Abrantes organic sculpture’. La Gaceta. Salamanca, Spain,
February 23rd, 2000
Jose F. Merino. ‘The polish artist opens in Abrantes organic sculpture. El Adelanto. Salamanca, Spain, February 23rd., 2000
Marie-­‐Cecile Miessner. ‘Nouvelles de l’Estampe’ No.169. Paris, March -­‐ April 2000

1999
Fernando Castro Flores. ‘Xawery Wolski’, ABC Cultural. Spain, Nov. 20th, 1999. pag. 37-­‐42
Fernando Huichi. ‘The organic analogies of Wolski’. El Pais. Spain, Nov. 13th, 1999. pag. 18
Fernando Huichi. ‘Bodies of pure light’. El País. Spain, Sept., 1999
Cynthia Palacios Goya. ‘Xawery Wolski donates sculpture ‘Chains’ will be exposed in Tamayo Museum’. El
Universal. Mexico, D. F. June 19th, 1999. pag. 3
Alfonso de Neuvillate. Casas y Gente. ‘Xawery Wolski. ‘Humos, Detritus’. Casas y Gente.Mexico, 1999. pag.
18

1998
Victoria Verlichak. ‘Terracota and stone’. Dec., 1998
Ana María Battistozzi. ‘Written with the body’. Clarin. Buenos Aires, Argentina, Dec., 1998.
Jorge López Anaya. ‘Self portraits and arquetypes’. La Nación. Buenos Aires, Argentina, Dec., 1998. Fabian Lebenglik. ‘Earth molded’. Página 12. Buenos Aires, Argentina, Dec., 1998.
Eva Grinstein. ‘A delicate universe of images’. El Cronista. Buenos Aires, Argentina, Nov. 25th, 1998. Berenice González. ‘The clay traces of Xawery Wolski’. Harper’s Bazaar. Mexico, July, 1998.
Leticia Sánchez. ‘Wolski proposes visual repetition’. Reforma. Mexico, D. F. June 22th, 1998.
Virginia Bautista. ‘Proposing new aesthetic forms to the spectator’. Reforma. Mexico, Dec. 15th. 1998.

1997
Adriana Moncada. ‘Xawery Wolski inaugurated sculpted space dedicated to street children’. Uno más uno. Mexico, D. F. May 2nd., 1997. pag. 24
Ana Lilia Rojas Cano. ‘Xawery Wolski will create two sculptures’. El Día. Mexico, D. F. March 24th, 1997. pag. 24

1996
Cynthia Palacios Goya. ‘Xawery Wolski, exhibits at OMR Galleryt. Sculpture with pre columbian inheritance”. El Nacional. Mexico, D. F. 10 Dec. 10th, 1996. pag. 43
Adriana Moncada. ‘ I work with clay because its a metrial that goes with my temperament’. Uno más uno. Mexico, D. F. Nov. 22nd, 1996. pag. 26
Osvaldo Sánchez. ‘Orphan gestures’. Reforma. Mexico, D. F. Nov. 13th, 1996. pag. 3C
Arturo Mendoza Mociño. ‘Unites the past with contemporary art’. Reforma. Mexico, D. F. Nov. 5th, 1996. pag. 4C
Merry McMasters. ‘The polish artist exposes in OMR Gallery’ . La Jornada. Nov. 8th, 1996. pag. 26
Enrique Planas. ‘Earth cult’. El Sol. May 29th, 1996. pag. 6B
Élida Román. ‘Félix Oliva & Xawery Wolski expose in double’ . El Comercio. Peru. May 26th, 1996. pag. C3
‘Wolski and the sculpting matter’. Diario de la Reública. Peru. May 22nd, 1996.
‘Roads that suggest introspection’. Cultural. Peru. May 21st, 1996. pag. C6
‘The crosses of Gimenez and the light of Wolski’. Cultural. Peru. May 14th, 1996.
‘Stone and Life. Sculptures of Xawery Wolski in the Museo de la Nación’. Caretas. Peru. May 9, 1996.

1994
‘Pole exposes works made in Lima’. El Comercio. Lima, Peru. May 29th, 1994.
Luis Lama. ‘Xawery Wolski shows work in terracota’. Caretas. Lima, Peru. May 18th, 1994.
‘Sculptures of Xawery Wolski’. Expreso. Peru. May 6th, 1994.
 

1993
George Melrod. ‘Xawery Wolski’. Art News. U.S.A., January, 1993. pag. 137-­‐138

1992
Ami Barak. ‘Xawery Wolski’, Galerie Philippe Boulakia. Art Press. France, Jan., 1992. Michelle Cone. ‘France in Review’. Arts Magazine. U.S.A., January 1992
Peter Herbstreuth. Ein Flirt mil der Ungeliebten. Feuilleton. Germany. M.B. ‘It was a time in the East’. Beaux Arts Magazine, France, July 1992.